Jojo Mayer
Jojo Mayer is widely regarded as musical pioneer and innovator on the drums. Bringing
electronic-style rhythms to acoustic drums with his band Nerve inspired a new generation
of drummers and musicians.
With his current solo project, Me/Machine, Jojo Mayer takes the next step in pushing
creative boundaries by interacting live with generative music technology.
Alberto Mazza is an Argentine drummer based in Italy since 2018. Throughout his career, he has
toured with his own projects across various countries in the Americas and Europe.
He works hard to promote Argentine music, which he has renovated by restructuring its rhythms
and combining them with ideas from Jazz, Afro-Cuban, and Brazilian music.
He is the author of the book Música Argentina Desde la Improvisación, which he has presented at
various schools and universities worldwide through clinics and masterclasses.
With over 25 years of teaching experience, he is the founder of the AM Dinamika Drum School in
Italy and the creator of the AM Duran Show.
Facundo Guevara, Percussionist.
Born in Mendoza, Argentina, where he began his musical career at a very young age.
He studied under Alejandro Spadaro, Mónica Pacheco, Alfredo Montenegro, and Eduardo
Ordoñez.
His musical activity has been continuous ever since, having participated in countless
projects in his native Mendoza, as well as in Buenos Aires and abroad.
As a percussionist, he has worked with Markama, Jorge Marziali, Raúl Carnota, Liliana
Herrero, Mercedes Sosa, Chango Farías Gómez, Teresa Parodi, Oscar Cardozo Ocampo,
Eduardo Lagos, Luis Salinas, Darío Esquenazi, Paquito D’Rivera, Oscar Feldman, Hugo
Fattoruso, Fito Páez, Pedro Aznar, Raúl Barboza, and Ramón Ayala, among many others.
He was a member of a trio with Verónica Condomí and Ernesto Snajer, and is currently a
member of Aura! Trio. At present, he performs in a duo with pianist and composer Hernán
Ríos, is part of Brazilian singer-songwriter Vitor Ramil’s group, and belongs to the
“Colegiales Trío” alongside Adrián Iaies and Diana Arias.
